CREATING A MASTERPIECE
This photo was taken after a
Chanel fashion show. It was not a spontaneous photo. It took hours to
orchestrate, so that it would look spontaneous and uncontrived. The
photo is, in fact, a takeoff on a world-famous painting that you have very
likely seen. Do you know the painting or the name of the artist?
The artist definitely knew
the secret of successful composition in order to please the eye - and
tell a story. He is, of course, Leonardo DaVinci and the painting is the famed The
Last Supper.
Did you notice that the
models were wearing wool hats with bathing suits? And that only one model is looking at the
camera, while yet another model pulls away from the group. Other models form
odd groups of two or three. Furthermore, the models are not lined up at all by
height, presenting a choppy rather than a straight line.
I use my background in art
to create “living masterpieces” and this photo serves to illustrate the
correlation between the rules of art and the rules of image. Present a portrait
or a person without mastering the rules, and you will not present a
masterpiece. At first glance, the Chanel bathing suits look a bit unusual, but
the trademark French beret assures us that it is simply French haute couture,
perhaps a little avant garde, but not to worry. Ah, the power of
accessories.
Super model Kate Moss looks
straight at the camera and strikes a sassy pose, establishing that she is the
focal point of the portrait. There can be only one focal point in a
painting – and the same is true with people. With a person, the face must always
be the focal point, and something is wrong if the eyes are riveted to the feet
or dangly earrings.
For artists, composition and
color are tools that help tell a story without words. Such were the skills of
DaVinci that The Last Supper is moving drama and nearly seems to speak. One
assumes that it is Judas who pulls away from the group, and that the other
disciples are easily identified because they are depicted in groups, just as
they were in life. Ever aware of “line” and composition, DaVinci arranged the
subjects in such a manner that they created a pleasing, curved line. Straight
lines, after all, are rigid.
Look closer and you will see
that Kate Moss is not placed dead center, as this would look contrived. Your
image is also a message without words, and it is a message that is deciphered
in two seconds. If you look like you are so perfect that you look contrived, I
have failed in my job as an image consultant. My clients report that after an
image workshop, friends and associates tell them they look great but can’t say
exactly what, if anything, has changed. The overall impact is sufficient, and
details escape our attention. But it is the meticulous attention to detail that
produces a masterpiece.